Bouguereau made more than seven hundred finished works.
Gemälde ID:: 10809
Die Geburt von Venus 9' 10" x 7' 1 3/4" (300 x 218 cm), Salon of 1879. 9~ 10 X 7~ 1 3/4 (300 X 218 cm), Salon von 1879. Bouguereau made more than seven hundred finished works.
Die Geburt von Venus mk53
1740
oil on canvas
130x162cm,Stockholm,The National Museum of Fine Arts
das Öl von mk53 1740 auf Leinwand130x162cmStockholmThe Nationalem Museum Schöner Künste French Rococo Era Painter, 1703-1770
Die Geburt von Venus mk53
c.1770
gouache on vellum stretched over laminated board
65.7x50.6cm
hat die Gouache von mk53 C. 1770 auf vellum über gefächertem Ausschuss 65.7x50.6cm. ausgestreckt French Miniaturist, ca.1705-1790
Die Geburt von Venus mk53
1863
oil on canvas
130x225cm
Paris,Musee d Orsay
das Öl von mk53 1863 auf Leinwand 130x225cm Paris Musee d Orsay French Academic Painter, 1823-1889
Die Geburt von Venus 1484-1485
detail of Venus'face Florence,Galleria degli Uffizi (mk57) 1484-1485 Details von Florenz Galleria degli Uffizi (mk57) Italian Early Renaissance Painter, 1445-1510
Die Geburt von Venus 1484--1485
detail of the Hour holding out to Venus a flowery red mantle.Florence,Galleria degli Uffizi (mk57) 1484 -- das Detail von 1485 von der Stunde streckend nach Venuseinem geblümten roten Mantel. Florenz Galleria degli Uffizi (mk57) aus Italian Early Renaissance Painter, 1445-1510
Die Geburt von Venus 1484--1485
detail of venus Florence,Galleria degli uffizi.(mk57) 1484 -- das Detail von 1485 von Venus Florenz Galleria degli uffizi. (mk57) Italian Early Renaissance Painter, 1445-1510
Die Geburt von Venus 1484--1485 detail of the winds zephyrus and Aura.Florence,Galleria degli Uffizi (mk57) 1484 -- dasDetail von 1485 von den Winden zephyrus und Aura. Florenz Galleria degli Uffizi (mk57) Italian Early Renaissance Painter, 1445-1510
Die Geburt von Venus mk86
c.1485
Tempera on canvas
172.5x278.5cm
Florence,Galleria degli Uffizi
der Tempera von mk86 C. 1485 auf Leinwand 172.5x278.5cm Florenz, Galleria degli Uffizi Italian Early Renaissance Painter, 1445-1510
Bouguereau made more than seven hundred finished works.
Gemälde ID:: 40770
DieGeburt von Venus mk156
1879
Oil on canvas
303x216cm
das Öl von mk156 1879 auf Leinwand 303x216cm Bouguereau made more than seven hundred finished works.
Die Geburt von Venus mk166
Between1484 and 1486 Board of wood
180x280cm Uffizi, Florence mk166 Between1484 und der Ausschuss von 1486 von Holz 180x280cm Uffizi, Florenz Italian Early Renaissance Painter, 1445-1510
Gemälde ID:: 56805
The Birth of Venus mk250 about the year 1482. Cloth color eggs. About 172.7 x 276.9 cm. Uffizi in Florence. Italian Early Renaissance Painter, 1445-1510
(27 February 1824 - 17 July 1895) was a French painter born in Nantes.His oeuvre began with portraits and classical historical subject matter but he later moved on to allegorical and mythological themes.He was an academic painter and one of the founders of the Neo-Grec school, along with his close friends Gustave Boulanger, Jean-L??on G??rôme, and Jean-Louis Hamon, also academic painters. All of them studied in the workshops of both Paul Delaroche and later Charles Gleyre. Picou's style was noticeably influenced by Gleyre. While the rest of the group generally painted classical and mythological subjects, Picou also received commissions for large religious frescoes from many churches, including the Église Saint-Roch.
His artistic debut was at the Salon in 1847. The next year he was awarded a second-class medal for his painting, Cl??opâtre et Antoine sur le Cydnus. Also known as Cleopatra on the Cydnus, it is commonly regarded as Picou's masterpiece. This showing at the Salon in 1848 was written about by the critic Th??ophile Gautier, who felt that the subject matter was too ambitious, but also said that "As it is, it gives the best hope for the future of the young artist, and ranks among the seven or eight most important paintings of the Salon.In 1875 the painting was exhibited in New York, and afterward found lodgment on the walls of a private art gallery in San Francisco.Picou maintained a large workshop in Paris on the Boulevard de Magenta, which provided him room to work on his expansive frescoes. His popularity continued to rise and he went on to win the Second Prix de Rome in 1853 for his painting, J??sus chassant les vendeurs du Temple (The Moneylenders Chased from the Temple), and another second-class medal for his Salon painting in 1857. From his debut in 1847, he was a regular at the Salon, showing almost every year until his final exhibit in 1893.He has been called the most fashionable painter towards the close of the Second French Empire
Gemälde ID:: 72728
The Birth of Venus 1874(1874)
Oil on canvas
cjr (27 February 1824 - 17 July 1895) was a French painter born in Nantes.His oeuvre began with portraits and classical historical subject matter but he later moved on to allegorical and mythological themes.He was an academic painter and one of the founders of the Neo-Grec school, along with his close friends Gustave Boulanger, Jean-L??on G??rôme, and Jean-Louis Hamon, also academic painters. All of them studied in the workshops of both Paul Delaroche and later Charles Gleyre. Picou's style was noticeably influenced by Gleyre. While the rest of the group generally painted classical and mythological subjects, Picou also received commissions for large religious frescoes from many churches, including the Église Saint-Roch.
His artistic debut was at the Salon in 1847. The next year he was awarded a second-class medal for his painting, Cl??opâtre et Antoine sur le Cydnus. Also known as Cleopatra on the Cydnus, it is commonly regarded as Picou's masterpiece. This showing at the Salon in 1848 was written about by the critic Th??ophile Gautier, who felt that the subject matter was too ambitious, but also said that "As it is, it gives the best hope for the future of the young artist, and ranks among the seven or eight most important paintings of the Salon.In 1875 the painting was exhibited in New York, and afterward found lodgment on the walls of a private art gallery in San Francisco.Picou maintained a large workshop in Paris on the Boulevard de Magenta, which provided him room to work on his expansive frescoes. His popularity continued to rise and he went on to win the Second Prix de Rome in 1853 for his painting, J??sus chassant les vendeurs du Temple (The Moneylenders Chased from the Temple), and another second-class medal for his Salon painting in 1857. From his debut in 1847, he was a regular at the Salon, showing almost every year until his final exhibit in 1893.He has been called the most fashionable painter towards the close of the Second French Empire
Henri-Pierre Picou (27 February 1824 - 17 July 1895) was a French painter born in Nantes.His oeuvre began with portraits and classical historical subject matter but he later moved on to allegorical and mythological themes.He was an academic painter and one of the founders of the Neo-Grec school, along with his close friends Gustave Boulanger, Jean-L??on G??rôme, and Jean-Louis Hamon, also academic painters. All of them studied in the workshops of both Paul Delaroche and later Charles Gleyre. Picou's style was noticeably influenced by Gleyre. While the rest of the group generally painted classical and mythological subjects, Picou also received commissions for large religious frescoes from many churches, including the Église Saint-Roch.
His artistic debut was at the Salon in 1847. The next year he was awarded a second-class medal for his painting, Cl??opâtre et Antoine sur le Cydnus. Also known as Cleopatra on the Cydnus, it is commonly regarded as Picou's masterpiece. This showing at the Salon in 1848 was written about by the critic Th??ophile Gautier, who felt that the subject matter was too ambitious, but also said that "As it is, it gives the best hope for the future of the young artist, and ranks among the seven or eight most important paintings of the Salon.In 1875 the painting was exhibited in New York, and afterward found lodgment on the walls of a private art gallery in San Francisco.Picou maintained a large workshop in Paris on the Boulevard de Magenta, which provided him room to work on his expansive frescoes. His popularity continued to rise and he went on to win the Second Prix de Rome in 1853 for his painting, J??sus chassant les vendeurs du Temple (The Moneylenders Chased from the Temple), and another second-class medal for his Salon painting in 1857. From his debut in 1847, he was a regular at the Salon, showing almost every year until his final exhibit in 1893.He has been called the most fashionable painter towards the close of the Second French Empire The Birth of Venus
